<?xml version="1.0" encoding="ISO-8859-1" ?>
<rss version="0.91">
  <channel>
    <title>Poems</title>
    <link>http://solipoem.blogdrive.com/</link>
    <description>Poems</description>
    <lastBuildDate>Tue, 24 Mar 2009 08:45:01 PDT</lastBuildDate>
    <generator>http://www.blogdrive.com</generator>
    <copyright>Copyright 2009.</copyright>
    <item>
      <title>Harbor - Vienna Teng</title>
      <link>http://solipoem.blogdrive.com/archive/36.html</link>
      <pubDate>Tue, 24 Mar 2009 16:43:50 GMT</pubDate>
      <description> We're here where the daylight begins&lt;br&gt;The fog on the streetlight slowly thins&lt;br&gt;Water on water's the way&lt;br&gt;The safety of shoreline fading away&lt;br&gt;&lt;br&gt;Sail your sea&lt;br&gt;Meet your storm&lt;br&gt;All I want is to be your harbor&lt;br&gt;The light in me&lt;br&gt;Will guide you home&lt;br&gt;All I want is to be your harbor&lt;br&gt;&lt;br&gt;Fear is the brightest of signs&lt;br&gt;The shape of the boundary you leave behind&lt;br&gt;So sing all your questions to sleep&lt;br&gt;The answers are out there in the drowning deep&lt;br&gt;&lt;br&gt;You've got a journey to make&lt;br&gt;There's your horizon to chase&lt;br&gt;So go far beyond where we stand&lt;br&gt;No matter the distance&lt;br&gt;I'm holding your hand&lt;!-- begin(Yahoo ad) --&gt;&lt;a href=&quot;http://ypn-rss.overture.com/rss/35557/83147/click/&quot;&gt;&lt;img src=&quot;http://ypn-rss.overture.com/rss/35557/83147/img/?url=http%3A%2F%2Fsolipoem.blogdrive.com%2Farchive%2F36.html&amp;amp;pid=1846251505&quot; alt=&quot;Ads by Yahoo!&quot; border=&quot;0&quot;/&gt;&lt;/a&gt;&lt;!-- end(Yahoo ad) --&gt;</description>
      <comments>http://solipoem.blogdrive.com/comments?id=36</comments>
    </item>
    <item>
      <title>pagkat may nawawala, may magbabalik</title>
      <link>http://solipoem.blogdrive.com/archive/35.html</link>
      <pubDate>Thu, 11 Aug 2005 16:13:05 GMT</pubDate>
      <description>my turn, everyone!hayi....&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br&gt;
&lt;BR&gt;&lt;br&gt;
***&lt;BR&gt;
&lt;DIV&gt;&lt;FONT style=&quot;BACKGROUND-COLOR: #e1b6cf&quot;&gt;sa gulod ng malamyos na hangin,&lt;br&gt;
namamahay ang isang panaginip.&lt;br&gt;
sinasamyo ang alulod ng tagumpay,&lt;br&gt;
ng mapagkunwaring bukas.&lt;br&gt;
&lt;BR&gt;masarap ang bumalik,&lt;BR&gt;
&lt;DIV&gt;sa piling ng buhay.&lt;br&gt;
sapagkat mahirap kumawala,&lt;br&gt;
sa nakasanayang duyan.&lt;br&gt;
&lt;BR&gt;
&lt;DIV&gt;sa nawawalang kakarampot na kaluluwa,&lt;br&gt;
malaya ang paglalayag.&lt;br&gt;
at sa pagdating ng umaga&lt;br&gt;
sasayaw sa mata ng ulap.&lt;br&gt;
&lt;BR&gt;ito ang katotohanan.&lt;br&gt;
malayo sa indak ng pagkakahimbing.&lt;br&gt;
nagpapakiwari lamang..&lt;br&gt;
nagbabalik din&lt;br&gt;
ang minsa'y nanaginip,&lt;br&gt;
nahimbing sa tulirong ngayon.&lt;br&gt;
&lt;BR&gt;at siya'y papunta na..&lt;br&gt;
sa malayang siya...&lt;br&gt;
nanoo'y nawala.&lt;br&gt;
&lt;/DIV&gt;&lt;/DIV&gt;&lt;/FONT&gt;&lt;/DIV&gt;&lt;!-- begin(Yahoo ad) --&gt;&lt;a href=&quot;http://ypn-rss.overture.com/rss/35557/83147/click/&quot;&gt;&lt;img src=&quot;http://ypn-rss.overture.com/rss/35557/83147/img/?url=http%3A%2F%2Fsolipoem.blogdrive.com%2Farchive%2F35.html&amp;amp;pid=1846251505&quot; alt=&quot;Ads by Yahoo!&quot; border=&quot;0&quot;/&gt;&lt;/a&gt;&lt;!-- end(Yahoo ad) --&gt;</description>
      <comments>http://solipoem.blogdrive.com/comments?id=35</comments>
    </item>
    <item>
      <title>Eureka*</title>
      <link>http://solipoem.blogdrive.com/archive/34.html</link>
      <pubDate>Thu, 16 Jun 2005 05:28:59 GMT</pubDate>
      <description>*From Mathematical Poetry of Marion D. Cohen&lt;br&gt;###&lt;br&gt;&lt;br&gt;Eureka!&lt;br&gt;Pretty Eureka!&lt;br&gt;Pretty Eureka with sugar on top!&lt;br&gt;I have read the signs.&lt;br&gt;I have broken the code.&lt;br&gt;I have figured out which lines to pluck.&lt;br&gt;I collected my lemmas from every port and brought them on board, I brought&lt;br&gt;them&lt;br&gt;   to my country.&lt;br&gt;I see the scene, I see the act.&lt;br&gt;I have not solved the cosmos but I have solved this house.&lt;br&gt;Most of infinity is still unsolved but I have this picture, I have this brain.&lt;!-- begin(Yahoo ad) --&gt;&lt;a href=&quot;http://ypn-rss.overture.com/rss/35557/83147/click/&quot;&gt;&lt;img src=&quot;http://ypn-rss.overture.com/rss/35557/83147/img/?url=http%3A%2F%2Fsolipoem.blogdrive.com%2Farchive%2F34.html&amp;amp;pid=1846251505&quot; alt=&quot;Ads by Yahoo!&quot; border=&quot;0&quot;/&gt;&lt;/a&gt;&lt;!-- end(Yahoo ad) --&gt;</description>
      <comments>http://solipoem.blogdrive.com/comments?id=34</comments>
    </item>
    <item>
      <title>Road Less Travelled</title>
      <link>http://solipoem.blogdrive.com/archive/33.html</link>
      <pubDate>Tue, 07 Jun 2005 05:33:02 GMT</pubDate>
      <description>&lt;img src=&quot;http://solipoem.blogdrive.com/road.jpg&quot; height=200 width=150&gt;&lt;br&gt;&lt;br&gt;&lt;br&gt;&lt;font color=&quot;brown&quot;&gt;Two roads diverged in a yellow wood&lt;br&gt;And sorry I could not travel both&lt;br&gt;And be one traveller, long I stood&lt;br&gt;And looked down one as far as I could&lt;br&gt;To where it bent in the undergrowth&lt;br&gt;&lt;br&gt;Then took the other as just as fair&lt;br&gt;And having perhaps the better claim&lt;br&gt;Because it was grassy and wanted wear&lt;br&gt;Though as for that, the passing there&lt;br&gt;Had worn them really about the same&lt;br&gt;&lt;br&gt;And both that morning equally lay&lt;br&gt;In leaves no step had trodden black&lt;br&gt;Oh, I kept the first for another day!&lt;br&gt;Yet, knowing how way leads onto way&lt;br&gt;I doubted if I should ever come back&lt;br&gt;&lt;br&gt;I shall be telling this with a sigh&lt;br&gt;Somewhere ages and ages hence&lt;br&gt;Two roads diverged in a wood&lt;br&gt;And I took the one less traveled by&lt;br&gt;And that has made all the difference&lt;br&gt;&lt;br&gt;Robert Frost &lt;br&gt;&lt;/font&gt;&lt;!-- begin(Yahoo ad) --&gt;&lt;a href=&quot;http://ypn-rss.overture.com/rss/35557/83147/click/&quot;&gt;&lt;img src=&quot;http://ypn-rss.overture.com/rss/35557/83147/img/?url=http%3A%2F%2Fsolipoem.blogdrive.com%2Farchive%2F33.html&amp;amp;pid=1846251505&quot; alt=&quot;Ads by Yahoo!&quot; border=&quot;0&quot;/&gt;&lt;/a&gt;&lt;!-- end(Yahoo ad) --&gt;</description>
      <comments>http://solipoem.blogdrive.com/comments?id=33</comments>
    </item>
    <item>
      <title>Woebegone</title>
      <link>http://solipoem.blogdrive.com/archive/32.html</link>
      <pubDate>Sat, 04 Jun 2005 18:03:48 GMT</pubDate>
      <description>Woebegone&lt;br&gt;By Yusef Komunyakaa&lt;br&gt;&lt;br&gt;We pierce tongue&lt;br&gt;&amp; eyebrow, foreskin&lt;br&gt;&amp; nipple, as if threading wishes&lt;br&gt;on gutstring. Gold bead&lt;br&gt;&amp; question mark hook&lt;br&gt;into loopholes &amp; slip&lt;br&gt;through. We kiss&lt;br&gt;like tiny branding irons.&lt;br&gt;Loved ones guard words&lt;br&gt;of praise, &amp; demigods mortgage&lt;br&gt;nighttime. Beneath bruised&lt;br&gt;glamor, we say, &quot;I'll show&lt;br&gt;how much I love by&lt;br&gt;how many scars I wear.&quot;&lt;br&gt;As we steal the last&lt;br&gt;drops of anger, what can we&lt;br&gt;inherit from Clarksdale's blue&lt;br&gt;tenements? Medieval &amp; modern,&lt;br&gt;one martyr strokes another&lt;br&gt;till Torquemada rises.&lt;br&gt;We trade bouquets&lt;br&gt;of lousewort, not for the red&lt;br&gt;blooms &amp; loud perfume,&lt;br&gt;but for the lovely spikes.&lt;br&gt;&lt;!-- begin(Yahoo ad) --&gt;&lt;a href=&quot;http://ypn-rss.overture.com/rss/35557/83147/click/&quot;&gt;&lt;img src=&quot;http://ypn-rss.overture.com/rss/35557/83147/img/?url=http%3A%2F%2Fsolipoem.blogdrive.com%2Farchive%2F32.html&amp;amp;pid=1846251505&quot; alt=&quot;Ads by Yahoo!&quot; border=&quot;0&quot;/&gt;&lt;/a&gt;&lt;!-- end(Yahoo ad) --&gt;</description>
      <comments>http://solipoem.blogdrive.com/comments?id=32</comments>
    </item>
    <item>
      <title>FANTOM by Pablo Neruda</title>
      <link>http://solipoem.blogdrive.com/archive/31.html</link>
      <pubDate>Tue, 01 Mar 2005 16:28:04 GMT</pubDate>
      <description>&lt;font color=&quot;#9932cc&quot;&gt;&lt;br&gt;How you rise from the past to me here,&lt;br&gt;pallid and wonderstruck schoolgirl,&lt;br&gt;at whose bidding the months, the fixed&lt;br&gt;and the lengthening months, turn for admonishment.&lt;br&gt;&lt;br&gt;Your eyes struggled like oarsmen&lt;br&gt;in the perishing infinite&lt;br&gt;with a dream's expectation and the palpable&lt;br&gt;presences cast up by the sea.&lt;br&gt;&lt;br&gt;Out of the faraway, where&lt;br&gt;the smell of the land is unplaceable&lt;br&gt;and twilight comes weeping&lt;br&gt;in a shadowy semblance of poppies.&lt;br&gt;&lt;br&gt;Under daylight's immobile meridian,&lt;br&gt;daily the catalept drowsed, a child&lt;br&gt;in the blaze of your radiance,&lt;br&gt;insensate and proved, like a sword.&lt;br&gt;&lt;br&gt;While deeper in shadow, from &lt;br&gt;the leisurely lapse of oblivion,&lt;br&gt;the flower of your solitude, tumid in earth&lt;br&gt;like a lengthening winter, grows ample.&lt;!-- begin(Yahoo ad) --&gt;&lt;a href=&quot;http://ypn-rss.overture.com/rss/35557/83147/click/&quot;&gt;&lt;img src=&quot;http://ypn-rss.overture.com/rss/35557/83147/img/?url=http%3A%2F%2Fsolipoem.blogdrive.com%2Farchive%2F31.html&amp;amp;pid=1846251505&quot; alt=&quot;Ads by Yahoo!&quot; border=&quot;0&quot;/&gt;&lt;/a&gt;&lt;!-- end(Yahoo ad) --&gt;</description>
      <comments>http://solipoem.blogdrive.com/comments?id=31</comments>
    </item>
    <item>
      <title>The Love Song of J Alfred Prufrock by T.S. Eliot</title>
      <link>http://solipoem.blogdrive.com/archive/30.html</link>
      <pubDate>Tue, 01 Mar 2005 16:23:34 GMT</pubDate>
      <description>&lt;font color=&quot;#ff4500&quot;&gt;&lt;br&gt;&lt;br&gt;LET us go then, you and I,  &lt;br&gt;When the evening is spread out against the sky  &lt;br&gt;Like a patient etherised upon a table;  &lt;br&gt;Let us go, through certain half-deserted streets,  &lt;br&gt;The muttering retreats         5 &lt;br&gt;Of restless nights in one-night cheap hotels  &lt;br&gt;And sawdust restaurants with oyster-shells:  &lt;br&gt;Streets that follow like a tedious argument  &lt;br&gt;Of insidious intent  &lt;br&gt;To lead you to an overwhelming question …         10 &lt;br&gt;Oh, do not ask, “What is it?”  &lt;br&gt;Let us go and make our visit.  &lt;br&gt;  &lt;br&gt;In the room the women come and go  &lt;br&gt;Talking of Michelangelo.  &lt;br&gt;  &lt;br&gt;The yellow fog that rubs its back upon the window-panes,   &lt;br&gt;     15 &lt;br&gt;The yellow smoke that rubs its muzzle on the window-panes  &lt;br&gt;Licked its tongue into the corners of the evening,  &lt;br&gt;Lingered upon the pools that stand in drains,  &lt;br&gt;Let fall upon its back the soot that falls from chimneys,  &lt;br&gt;Slipped by the terrace, made a sudden leap,         20 &lt;br&gt;And seeing that it was a soft October night,  &lt;br&gt;Curled once about the house, and fell asleep.  &lt;br&gt;  &lt;br&gt;And indeed there will be time  &lt;br&gt;For the yellow smoke that slides along the street,  &lt;br&gt;Rubbing its back upon the window-panes;         25 &lt;br&gt;There will be time, there will be time  &lt;br&gt;To prepare a face to meet the faces that you meet;  &lt;br&gt;There will be time to murder and create,  &lt;br&gt;And time for all the works and days of hands  &lt;br&gt;That lift and drop a question on your plate;         30 &lt;br&gt;Time for you and time for me,  &lt;br&gt;And time yet for a hundred indecisions,  &lt;br&gt;And for a hundred visions and revisions,  &lt;br&gt;Before the taking of a toast and tea.  &lt;br&gt;  &lt;br&gt;In the room the women come and go         35 &lt;br&gt;Talking of Michelangelo.  &lt;br&gt;  &lt;br&gt;And indeed there will be time  &lt;br&gt;To wonder, “Do I dare?” and, “Do I dare?”  &lt;br&gt;Time to turn back and descend the stair,  &lt;br&gt;With a bald spot in the middle of my hair—         40 &lt;br&gt;[They will say: “How his hair is growing thin!”]  &lt;br&gt;My morning coat, my collar mounting firmly to the chin,  &lt;br&gt;My necktie rich and modest, but asserted by a simple pin—  &lt;br&gt;[They will say: “But how his arms and legs are thin!”]  &lt;br&gt;Do I dare         45 &lt;br&gt;Disturb the universe?  &lt;br&gt;In a minute there is time  &lt;br&gt;For decisions and revisions which a minute will reverse.  &lt;br&gt;  &lt;br&gt;For I have known them all already, known them all:—  &lt;br&gt;Have known the evenings, mornings, afternoons,         50 &lt;br&gt;I have measured out my life with coffee spoons;  &lt;br&gt;I know the voices dying with a dying fall  &lt;br&gt;Beneath the music from a farther room.  &lt;br&gt;  So how should I presume?  &lt;br&gt;  &lt;br&gt;And I have known the eyes already, known them all—        &lt;br&gt;55 &lt;br&gt;The eyes that fix you in a formulated phrase,  &lt;br&gt;And when I am formulated, sprawling on a pin,  &lt;br&gt;When I am pinned and wriggling on the wall,  &lt;br&gt;Then how should I begin  &lt;br&gt;To spit out all the butt-ends of my days and ways?        &lt;br&gt;60 &lt;br&gt;  And how should I presume?  &lt;br&gt;  &lt;br&gt;And I have known the arms already, known them all—  &lt;br&gt;Arms that are braceleted and white and bare  &lt;br&gt;[But in the lamplight, downed with light brown hair!]  &lt;br&gt;It is perfume from a dress         65 &lt;br&gt;That makes me so digress?  &lt;br&gt;Arms that lie along a table, or wrap about a shawl.  &lt;br&gt;  And should I then presume?  &lt;br&gt;  And how should I begin?&lt;br&gt;      .      .      .      .      .  &lt;br&gt;Shall I say, I have gone at dusk through narrow streets    &lt;br&gt;    70 &lt;br&gt;And watched the smoke that rises from the pipes  &lt;br&gt;Of lonely men in shirt-sleeves, leaning out of windows?…  &lt;br&gt;  &lt;br&gt;I should have been a pair of ragged claws  &lt;br&gt;Scuttling across the floors of silent seas.&lt;br&gt;      .      .      .      .      .  &lt;br&gt;And the afternoon, the evening, sleeps so peacefully!      &lt;br&gt;  75 &lt;br&gt;Smoothed by long fingers,  &lt;br&gt;Asleep … tired … or it malingers,  &lt;br&gt;Stretched on the floor, here beside you and me.  &lt;br&gt;Should I, after tea and cakes and ices,  &lt;br&gt;Have the strength to force the moment to its crisis?       &lt;br&gt; 80 &lt;br&gt;But though I have wept and fasted, wept and prayed,  &lt;br&gt;Though I have seen my head [grown slightly bald] brought in&lt;br&gt;upon a platter,  &lt;br&gt;I am no prophet—and here’s no great matter;  &lt;br&gt;I have seen the moment of my greatness flicker,  &lt;br&gt;And I have seen the eternal Footman hold my coat, and&lt;br&gt;snicker,         85 &lt;br&gt;And in short, I was afraid.  &lt;br&gt;  &lt;br&gt;And would it have been worth it, after all,  &lt;br&gt;After the cups, the marmalade, the tea,  &lt;br&gt;Among the porcelain, among some talk of you and me,  &lt;br&gt;Would it have been worth while,         90 &lt;br&gt;To have bitten off the matter with a smile,  &lt;br&gt;To have squeezed the universe into a ball  &lt;br&gt;To roll it toward some overwhelming question,  &lt;br&gt;To say: “I am Lazarus, come from the dead,  &lt;br&gt;Come back to tell you all, I shall tell you all”—        &lt;br&gt;95 &lt;br&gt;If one, settling a pillow by her head,  &lt;br&gt;  Should say: “That is not what I meant at all.  &lt;br&gt;  That is not it, at all.”  &lt;br&gt;  &lt;br&gt;And would it have been worth it, after all,  &lt;br&gt;Would it have been worth while,         100 &lt;br&gt;After the sunsets and the dooryards and the sprinkled&lt;br&gt;streets,  &lt;br&gt;After the novels, after the teacups, after the skirts that&lt;br&gt;trail along the floor—  &lt;br&gt;And this, and so much more?—  &lt;br&gt;It is impossible to say just what I mean!  &lt;br&gt;But as if a magic lantern threw the nerves in patterns on a&lt;br&gt;screen:         105 &lt;br&gt;Would it have been worth while  &lt;br&gt;If one, settling a pillow or throwing off a shawl,  &lt;br&gt;And turning toward the window, should say:  &lt;br&gt;  “That is not it at all,  &lt;br&gt;  That is not what I meant, at all.”&lt;br&gt;      .      .      .      .      .         110 &lt;br&gt;No! I am not Prince Hamlet, nor was meant to be;  &lt;br&gt;Am an attendant lord, one that will do  &lt;br&gt;To swell a progress, start a scene or two,  &lt;br&gt;Advise the prince; no doubt, an easy tool,  &lt;br&gt;Deferential, glad to be of use,         115 &lt;br&gt;Politic, cautious, and meticulous;  &lt;br&gt;Full of high sentence, but a bit obtuse;  &lt;br&gt;At times, indeed, almost ridiculous—  &lt;br&gt;Almost, at times, the Fool.  &lt;br&gt;  &lt;br&gt;I grow old … I grow old …         120 &lt;br&gt;I shall wear the bottoms of my trousers rolled.  &lt;br&gt;  &lt;br&gt;Shall I part my hair behind? Do I dare to eat a peach?  &lt;br&gt;I shall wear white flannel trousers, and walk upon the&lt;br&gt;beach.  &lt;br&gt;I have heard the mermaids singing, each to each.  &lt;br&gt;  &lt;br&gt;I do not think that they will sing to me.         125 &lt;br&gt;  &lt;br&gt;I have seen them riding seaward on the waves  &lt;br&gt;Combing the white hair of the waves blown back  &lt;br&gt;When the wind blows the water white and black.  &lt;br&gt;  &lt;br&gt;We have lingered in the chambers of the sea  &lt;br&gt;By sea-girls wreathed with seaweed red and brown        &lt;br&gt;130 &lt;br&gt;Till human voices wake us, and we drown. &lt;!-- begin(Yahoo ad) --&gt;&lt;a href=&quot;http://ypn-rss.overture.com/rss/35557/83147/click/&quot;&gt;&lt;img src=&quot;http://ypn-rss.overture.com/rss/35557/83147/img/?url=http%3A%2F%2Fsolipoem.blogdrive.com%2Farchive%2F30.html&amp;amp;pid=1846251505&quot; alt=&quot;Ads by Yahoo!&quot; border=&quot;0&quot;/&gt;&lt;/a&gt;&lt;!-- end(Yahoo ad) --&gt;</description>
      <comments>http://solipoem.blogdrive.com/comments?id=30</comments>
    </item>
    <item>
      <title>Poem Written Beneath a Blue Lampshade</title>
      <link>http://solipoem.blogdrive.com/archive/29.html</link>
      <pubDate>Thu, 13 Jan 2005 17:14:02 GMT</pubDate>
      <description>POEM WRITTEN BENEATH A BLUE LAMPSHADE&lt;br&gt;Jose Garcia Villa&lt;br&gt;&lt;a href=&quot;http://www.geocities.com/simonces2000/PoemWrittenBeneathaBlueLamp.mp3&quot;&gt;Read by Julio dela Cruz&lt;/a&gt;&lt;br&gt;&lt;br&gt; &lt;br&gt;I speak this poem tenderly&lt;br&gt;It being for you&lt;br&gt;     And&lt;br&gt;For you only – We  were not&lt;br&gt;Afraid and we did take love&lt;br&gt;Gorgeously.&lt;br&gt;     We had no fears.&lt;br&gt;We knew love we knew it and&lt;br&gt;We were dancers for it&lt;br&gt;     And also&lt;br&gt;We were rivers, we were moonlight&lt;br&gt;And also we were winds&lt;br&gt;     As also&lt;br&gt;We were gods. And all this&lt;br&gt;Is remembrance, and all this&lt;br&gt;Is desire.&lt;br&gt;    But also it is love.&lt;br&gt;&lt;!-- begin(Yahoo ad) --&gt;&lt;a href=&quot;http://ypn-rss.overture.com/rss/35557/83147/click/&quot;&gt;&lt;img src=&quot;http://ypn-rss.overture.com/rss/35557/83147/img/?url=http%3A%2F%2Fsolipoem.blogdrive.com%2Farchive%2F29.html&amp;amp;pid=1846251505&quot; alt=&quot;Ads by Yahoo!&quot; border=&quot;0&quot;/&gt;&lt;/a&gt;&lt;!-- end(Yahoo ad) --&gt;</description>
      <comments>http://solipoem.blogdrive.com/comments?id=29</comments>
    </item>
    <item>
      <title>Evacuation...</title>
      <link>http://solipoem.blogdrive.com/archive/28.html</link>
      <pubDate>Thu, 25 Nov 2004 19:47:38 GMT</pubDate>
      <description>eto po ay nakuha ko sa bulatlat.com...&lt;BR&gt;
&lt;BR&gt;

&lt;P style=&quot;MARGIN: 7.5pt 11.25pt 5pt 33.75pt&quot; align=center&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 13.5pt; FONT-FAMILY: Arial&quot;&gt;&lt;FONT color=#000000&gt;&lt;U&gt;Evacuation&lt;/U&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/TT&gt;&lt;/P&gt;
&lt;P style=&quot;MARGIN: 7.5pt 11.25pt 5pt 33.75pt&quot; align=center&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; TEXT-TRANSFORM: uppercase; FONT-FAMILY: 'Times New Roman'&quot;&gt;&lt;FONT color=#333300&gt;By Tomasito T. Talledo&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/TT&gt;&lt;/P&gt;
&lt;P style=&quot;MARGIN: 7.5pt 11.25pt 5pt&quot; align=center&gt;&lt;FONT color=#000000&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'; mso-ascii-font-family: 'Arial Unicode MS'&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;/TT&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;FONT face=&quot;Arial Unicode MS&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;FONT color=#330033&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/FONT&gt;&lt;FONT face=&quot;Times New Roman&quot; color=#3300ff&gt; It was told under the crescent moon&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/TT&gt;&lt;/FONT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'; mso-hansi-font-family: 'Courier New'&quot;&gt;&lt;br&gt;
&lt;/SPAN&gt;&lt;FONT color=#3300ff&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-family: 'Times New Roman'; mso-ascii-font-family: 'Arial Unicode MS'&quot;&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;/TT&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; mso-bidi-font-family: 'Times New Roman'; mso-hansi-font-family: 'Courier New'&quot;&gt;&lt;FONT face=&quot;Arial Unicode MS&quot;&gt;our&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/TT&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'&quot;&gt; father and his father's father&lt;/SPAN&gt;&lt;/TT&gt;&lt;/FONT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Terminal; mso-hansi-font-family: 'Courier New'&quot;&gt;&lt;br&gt;
&lt;/SPAN&gt;&lt;FONT color=#3300ff&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-family: 'Times New Roman'; mso-ascii-font-family: 'Arial Unicode MS'&quot;&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;/TT&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; mso-bidi-font-family: 'Times New Roman'; mso-hansi-font-family: 'Courier New'&quot;&gt;&lt;FONT face=&quot;Arial Unicode MS&quot;&gt;had&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/TT&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'&quot;&gt; breath freely.&lt;/SPAN&gt;&lt;/TT&gt;&lt;/FONT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'; mso-hansi-font-family: 'Courier New'&quot;&gt;&lt;br&gt;
&lt;BR&gt;&lt;/SPAN&gt;&lt;FONT color=#3300ff&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-family: 'Times New Roman'; mso-ascii-font-family: 'Arial Unicode MS'&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;/TT&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;FONT face=&quot;Arial Unicode MS&quot;&gt; &lt;/FONT&gt;&lt;/SPAN&gt;&lt;/TT&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'&quot;&gt;But my son and I cannot.&lt;/SPAN&gt;&lt;/TT&gt;&lt;/FONT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'; mso-hansi-font-family: 'Courier New'&quot;&gt;&lt;br&gt;
&lt;BR&gt;&lt;/SPAN&gt;&lt;FONT color=#3300ff&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-family: 'Times New Roman'; mso-ascii-font-family: 'Arial Unicode MS'&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;/TT&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;FONT face=&quot;Arial Unicode MS&quot;&gt;&amp;nbsp; &lt;/FONT&gt;&lt;/SPAN&gt;&lt;/TT&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'&quot;&gt;We have nowhere to salaam,&lt;/SPAN&gt;&lt;/TT&gt;&lt;/FONT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: Terminal; mso-hansi-font-family: 'Courier New'&quot;&gt;&lt;br&gt;
&lt;/SPAN&gt;&lt;FONT color=#3300ff&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-family: 'Times New Roman'; mso-ascii-font-family: 'Arial Unicode MS'&quot;&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;/TT&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; mso-bidi-font-family: 'Times New Roman'; mso-hansi-font-family: 'Courier New'&quot;&gt;&lt;FONT face=&quot;Arial Unicode MS&quot;&gt;the&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/TT&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'&quot;&gt; waters of the &lt;/SPAN&gt;&lt;/TT&gt;&lt;?xml:namespace prefix = st1 ns = &quot;urn:schemas-microsoft-com:office:smarttags&quot; /&gt;&lt;st1:place&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'&quot;&gt;Lake&lt;/SPAN&gt;&lt;/TT&gt;&lt;/st1:place&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'&quot;&gt; has receded.&lt;/SPAN&gt;&lt;/TT&gt;&lt;/FONT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'; mso-hansi-font-family: 'Courier New'&quot;&gt;&lt;br&gt;
&lt;/SPAN&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-family: 'Times New Roman'; mso-ascii-font-family: 'Arial Unicode MS'&quot;&gt;&lt;FONT color=#3300ff&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'; mso-hansi-font-family: 'Courier New'&quot;&gt;&lt;br&gt;
&lt;/SPAN&gt;&lt;FONT color=#3300ff&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-family: 'Times New Roman'; mso-ascii-font-family: 'Arial Unicode MS'&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;/TT&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;FONT face=&quot;Arial Unicode MS&quot;&gt;&amp;nbsp; &lt;/FONT&gt;&lt;/SPAN&gt;&lt;/TT&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'&quot;&gt;Gunfires in place of murmuring crickets&lt;/SPAN&gt;&lt;/TT&gt;&lt;/FONT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'; mso-hansi-font-family: 'Courier New'&quot;&gt;&lt;br&gt;
&lt;/SPAN&gt;&lt;FONT color=#3300ff&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-family: 'Times New Roman'; mso-ascii-font-family: 'Arial Unicode MS'&quot;&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;/TT&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; mso-bidi-font-family: 'Times New Roman'; mso-hansi-font-family: 'Courier New'&quot;&gt;&lt;FONT face=&quot;Arial Unicode MS&quot;&gt;dirged&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/TT&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'&quot;&gt; our fastings.&lt;/SPAN&gt;&lt;/TT&gt;&lt;/FONT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'; mso-hansi-font-family: 'Courier New'&quot;&gt;&lt;br&gt;
&lt;BR&gt;&lt;/SPAN&gt;&lt;FONT color=#3300ff&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-family: 'Times New Roman'; mso-ascii-font-family: 'Arial Unicode MS'&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;/TT&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;FONT face=&quot;Arial Unicode MS&quot;&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/TT&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'&quot;&gt;&amp;nbsp; The evacuation centers are filled&lt;/SPAN&gt;&lt;/TT&gt;&lt;/FONT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'; mso-hansi-font-family: 'Courier New'&quot;&gt;&lt;br&gt;
&lt;/SPAN&gt;&lt;FONT color=#3300ff&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-family: 'Times New Roman'; mso-ascii-font-family: 'Arial Unicode MS'&quot;&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;/TT&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; mso-bidi-font-family: 'Times New Roman'; mso-hansi-font-family: 'Courier New'&quot;&gt;&lt;FONT face=&quot;Arial Unicode MS&quot;&gt;with&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/TT&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'&quot;&gt; hunger cries.&lt;/SPAN&gt;&lt;/TT&gt;&lt;/FONT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'; mso-hansi-font-family: 'Courier New'&quot;&gt;&lt;br&gt;
&lt;/SPAN&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'&quot;&gt;&lt;br&gt;
&lt;/SPAN&gt;&lt;FONT color=#3300ff&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-family: 'Times New Roman'; mso-ascii-font-family: 'Times New Roman'&quot;&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-family: 'Times New Roman'; mso-ascii-font-family: 'Arial Unicode MS'&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/SPAN&gt;&lt;/TT&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt&quot;&gt;&lt;FONT face=&quot;Arial Unicode MS&quot;&gt; &lt;/FONT&gt;&lt;/SPAN&gt;&lt;/TT&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'&quot;&gt;If gunmen come tomorrow,&lt;/SPAN&gt;&lt;/TT&gt;&lt;/FONT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'; mso-hansi-font-family: 'Courier New'&quot;&gt;&lt;br&gt;
&lt;/SPAN&gt;&lt;FONT color=#000000&gt;&lt;FONT color=#3300ff&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-family: 'Times New Roman'; mso-ascii-font-family: 'Arial Unicode MS'&quot;&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;/TT&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; mso-bidi-font-family: 'Times New Roman'; mso-hansi-font-family: 'Courier New'&quot;&gt;&lt;FONT face=&quot;Arial Unicode MS&quot;&gt;we&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/TT&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'&quot;&gt; move to &lt;/SPAN&gt;&lt;/TT&gt;&lt;st1:place&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'&quot;&gt;Paradise&lt;/SPAN&gt;&lt;/TT&gt;&lt;/st1:place&gt;&lt;/FONT&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'&quot;&gt;&lt;FONT color=#3300ff&gt;.&lt;br&gt;
&lt;/P&gt;

&lt;P style=&quot;MARGIN: 7.5pt 11.25pt 5pt&quot; align=center&gt;&lt;br&gt;
&lt;/FONT&gt;&lt;/P&gt;

&lt;P align=left&gt;(&lt;/SPAN&gt;&lt;/TT&gt;&lt;/FONT&gt;&lt;FONT color=#000000&gt;&lt;TT&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'&quot;&gt;Tomasito Talledo is a professor at the University of the &lt;/SPAN&gt;&lt;/I&gt;&lt;/TT&gt;&lt;st1:country-region&gt;&lt;st1:place&gt;&lt;TT&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'&quot;&gt;Philippines&lt;/SPAN&gt;&lt;/I&gt;&lt;/TT&gt;&lt;/st1:place&gt;&lt;/st1:country-region&gt;&lt;TT&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'&quot;&gt; in&amp;nbsp; &lt;/SPAN&gt;&lt;/I&gt;&lt;/TT&gt;&lt;st1:City&gt;&lt;st1:place&gt;&lt;TT&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'&quot;&gt;Iloilo&lt;/SPAN&gt;&lt;/I&gt;&lt;/TT&gt;&lt;/st1:place&gt;&lt;/st1:City&gt;&lt;TT&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'&quot;&gt;. He&amp;nbsp; is currently finishing his PhD Sociology at UP Diliman. He is an active member of Congress of Teachers/Educators for Nationalism and Democracy (CONTEND-UP).&lt;/SPAN&gt;&lt;/I&gt;&lt;/TT&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Times New Roman'; mso-ascii-font-family: 'Arial Unicode MS'&quot;&gt;&amp;nbsp;&lt;/SPAN&gt;&lt;/TT&gt;&lt;TT&gt;&lt;SPAN style=&quot;FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-family: 'Times New Roman'; mso-ascii-font-family: 'Arial Unicode MS'&quot;&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;br&gt;
&lt;/P&gt;

&lt;P style=&quot;MARGIN: 7.5pt 11.25pt 5pt&quot; align=left&gt;&lt;/SPAN&gt;&lt;/TT&gt;&lt;/FONT&gt;&lt;B&gt;&lt;I&gt;&lt;FONT size=3&gt;&lt;FONT color=#000000&gt;&lt;FONT face=&quot;Times New Roman&quot;&gt;Reference:&lt;?xml:namespace prefix = o ns = &quot;urn:schemas-microsoft-com:office:office&quot; /&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/FONT&gt;&lt;/I&gt;&lt;/B&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0in 0in 0pt&quot; align=left&gt;&lt;FONT face=&quot;Times New Roman&quot; color=#000000 size=3&gt;http://bulatlat.com/news/3-4/3-4-evacuation.html&lt;/FONT&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0in 0in 0pt&quot;&gt;&lt;o:p&gt;&lt;FONT face=&quot;Times New Roman&quot; color=#000000 size=3&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/o:p&gt;&lt;/P&gt;&lt;BR&gt;
&lt;!-- begin(Yahoo ad) --&gt;&lt;a href=&quot;http://ypn-rss.overture.com/rss/35557/83147/click/&quot;&gt;&lt;img src=&quot;http://ypn-rss.overture.com/rss/35557/83147/img/?url=http%3A%2F%2Fsolipoem.blogdrive.com%2Farchive%2F28.html&amp;amp;pid=1846251505&quot; alt=&quot;Ads by Yahoo!&quot; border=&quot;0&quot;/&gt;&lt;/a&gt;&lt;!-- end(Yahoo ad) --&gt;</description>
      <comments>http://solipoem.blogdrive.com/comments?id=28</comments>
    </item>
    <item>
      <title>shakespearean mania</title>
      <link>http://solipoem.blogdrive.com/archive/27.html</link>
      <pubDate>Thu, 25 Nov 2004 19:39:42 GMT</pubDate>
      <description>&lt;FONT size=2&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;I&gt;&lt;U&gt;&lt;SPAN style=&quot;FONT-SIZE: 8pt; COLOR: #cc0000; FONT-FAMILY: 'Lucida Sans Unicode'; mso-bidi-font-size: 13.5pt&quot;&gt;A LOVER'S COMPLAINT&lt;/SPAN&gt;&lt;/U&gt;&lt;/I&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 8pt; FONT-FAMILY: 'Lucida Sans Unicode'; mso-bidi-font-size: 12.0pt&quot;&gt;&lt;br&gt;
&lt;BR&gt;&lt;FONT color=#0000cc&gt;FROM off a hill whose concave womb reworded&lt;br&gt;
A plaintful story from a sistering vale,&lt;br&gt;
My spirits to attend this double voice accorded,&lt;br&gt;
And down I laid to list the sad-tuned tale;&lt;br&gt;
Ere long espied a fickle maid full pale,&lt;br&gt;
Tearing of papers, breaking rings a-twain,&lt;br&gt;
Storming her world with sorrow's wind and rain.&lt;br&gt;
&lt;BR&gt;Upon her head a platted hive of straw,&lt;br&gt;
Which fortified her visage from the sun,&lt;br&gt;
Whereon the thought might think sometime it saw&lt;br&gt;
The carcass of beauty spent and done:&lt;br&gt;
Time had not scythed all that youth begun,&lt;br&gt;
Nor youth all quit; but, spite of heaven's fell rage,&lt;br&gt;
Some beauty peep'd through lattice of sear'd age.&lt;br&gt;
&lt;BR&gt;Oft did she heave her napkin to her eyne,&lt;br&gt;
Which on it had conceited characters,&lt;br&gt;
Laundering the silken figures in the brine&lt;br&gt;
That season'd woe had pelleted in tears,&lt;br&gt;
And often reading what contents it bears;&lt;br&gt;
As often shrieking undistinguish'd woe,&lt;br&gt;
In clamours of all size, both high and low.&lt;br&gt;
&lt;BR&gt;Sometimes her levell'd eyes their carriage ride,&lt;br&gt;
As they did battery to the spheres intend;&lt;br&gt;
Sometime diverted their poor balls are tied&lt;br&gt;
To the orbed earth; sometimes they do extend&lt;br&gt;
Their view right on; anon their gazes lend&lt;br&gt;
To every place at once, and, nowhere fix'd,&lt;br&gt;
The mind and sight distractedly commix'd.&lt;br&gt;
&lt;BR&gt;Her hair, nor loose nor tied in formal plat,&lt;br&gt;
Proclaim'd in her a careless hand of pride&lt;br&gt;
For some, untuck'd, descended her sheaved hat,&lt;br&gt;
Hanging her pale and pined cheek beside;&lt;br&gt;
Some in her threaden fillet still did bide,&lt;br&gt;
And true to bondage would not break from thence,&lt;br&gt;
Though slackly braided in loose negligence.&lt;br&gt;
&lt;BR&gt;A thousand favours from a maund she drew&lt;br&gt;
Of amber, crystal, and of beaded jet,&lt;br&gt;
Which one by one she in a river threw,&lt;br&gt;
Upon whose weeping margent she was set;&lt;br&gt;
Like usury, applying wet to wet,&lt;br&gt;
Or monarch's hands that let not bounty fall&lt;br&gt;
Where want cries some, but where excess begs all.&lt;br&gt;
&lt;BR&gt;Of folded schedules had she many a one,&lt;br&gt;
Which she perused, sigh'd, tore, and gave the flood;&lt;br&gt;
Crack'd many a ring of posied gold and bone&lt;br&gt;
Bidding them find their sepulchres in mud;&lt;br&gt;
Found yet moe letters sadly penn'd in blood,&lt;br&gt;
With sleided silk feat and affectedly&lt;br&gt;
Enswathed, and seal'd to curious secrecy.&lt;br&gt;
&lt;BR&gt;These often bathed she in her fluxive eyes,&lt;br&gt;
And often kiss'd, and often 'gan to tear:&lt;br&gt;
Cried 'O false blood, thou register of lies,&lt;br&gt;
What unapproved witness dost thou bear!&lt;br&gt;
Ink would have seem'd more black and damned here!'&lt;br&gt;
This said, in top of rage the lines she rents,&lt;br&gt;
Big discontent so breaking their contents.&lt;br&gt;
&lt;BR&gt;A reverend man that grazed his cattle nigh--&lt;br&gt;
Sometime a blusterer, that the ruffle knew&lt;br&gt;
Of court, of city, and had let go by&lt;br&gt;
The swiftest hours, observed as they flew--&lt;br&gt;
Towards this afflicted fancy fastly drew,&lt;br&gt;
And, privileged by age, desires to know&lt;br&gt;
In brief the grounds and motives of her woe.&lt;br&gt;
&lt;BR&gt;So slides he down upon his grained bat,&lt;br&gt;
And comely-distant sits he by her side;&lt;br&gt;
When he again desires her, being sat,&lt;br&gt;
Her grievance with his hearing to divide:&lt;br&gt;
If that from him there may be aught applied&lt;br&gt;
Which may her suffering ecstasy assuage,&lt;br&gt;
'Tis promised in the charity of age.&lt;br&gt;
&lt;BR&gt;'Father,' she says, 'though in me you behold&lt;br&gt;
The injury of many a blasting hour,&lt;br&gt;
Let it not tell your judgment I am old;&lt;br&gt;
Not age, but sorrow, over me hath power:&lt;br&gt;
I might as yet have been a spreading flower,&lt;br&gt;
Fresh to myself, If I had self-applied&lt;br&gt;
Love to myself and to no love beside.&lt;br&gt;
&lt;BR&gt;'But, woe is me! too early I attended&lt;br&gt;
A youthful suit--it was to gain my grace--&lt;br&gt;
Of one by nature's outwards so commended,&lt;br&gt;
That maidens' eyes stuck over all his face:&lt;br&gt;
Love lack'd a dwelling, and made him her place;&lt;br&gt;
And when in his fair parts she did abide,&lt;br&gt;
She was new lodged and newly deified.&lt;br&gt;
&lt;BR&gt;'His browny locks did hang in crooked curls;&lt;br&gt;
And every light occasion of the wind&lt;br&gt;
Upon his lips their silken parcels hurls.&lt;br&gt;
What's sweet to do, to do will aptly find:&lt;br&gt;
Each eye that saw him did enchant the mind,&lt;br&gt;
For on his visage was in little drawn&lt;br&gt;
What largeness thinks in &lt;/FONT&gt;&lt;/SPAN&gt;&lt;/I&gt;&lt;?xml:namespace prefix = st1 ns = &quot;urn:schemas-microsoft-com:office:smarttags&quot; /&gt;&lt;st1:place&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 8pt; FONT-FAMILY: 'Lucida Sans Unicode'; mso-bidi-font-size: 12.0pt&quot;&gt;&lt;FONT color=#0000cc&gt;Paradise&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/I&gt;&lt;/st1:place&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 8pt; FONT-FAMILY: 'Lucida Sans Unicode'; mso-bidi-font-size: 12.0pt&quot;&gt;&lt;FONT color=#0000cc&gt; was sawn.&lt;br&gt;
&lt;BR&gt;'Small show of man was yet upon his chin;&lt;br&gt;
His phoenix down began but to appear&lt;br&gt;
Like unshorn velvet on that termless skin&lt;br&gt;
Whose bare out-bragg'd the web it seem'd to wear:&lt;br&gt;
Yet show'd his visage by that cost more dear;&lt;br&gt;
And nice affections wavering stood in doubt&lt;br&gt;
If best were as it was, or best without.&lt;br&gt;
&lt;BR&gt;'His qualities were beauteous as his form,&lt;br&gt;
For maiden-tongued he was, and thereof free;&lt;br&gt;
Yet, if men moved him, was he such a storm&lt;br&gt;
As oft 'twixt May and April is to see,&lt;br&gt;
When winds breathe sweet, untidy though they be.&lt;br&gt;
His rudeness so with his authorized youth&lt;br&gt;
Did livery falseness in a pride of truth.&lt;br&gt;
&lt;BR&gt;'Well could he ride, and often men would say&lt;br&gt;
'That horse his mettle from his rider takes:&lt;br&gt;
Proud of subjection, noble by the sway,&lt;br&gt;
What rounds, what bounds, what course, what stop&lt;br&gt;
he makes!'&lt;br&gt;
And controversy hence a question takes,&lt;br&gt;
Whether the horse by him became his deed,&lt;br&gt;
Or he his manage by the well-doing steed.&lt;br&gt;
&lt;BR&gt;'But quickly on this side the verdict went:&lt;br&gt;
His real habitude gave life and grace&lt;br&gt;
To appertainings and to ornament,&lt;br&gt;
Accomplish'd in himself, not in his case:&lt;br&gt;
All aids, themselves made fairer by their place,&lt;br&gt;
Came for additions; yet their purposed trim&lt;br&gt;
Pieced not his grace, but were all graced by him.&lt;br&gt;
&lt;BR&gt;'So on the tip of his subduing tongue&lt;br&gt;
All kinds of arguments and question deep,&lt;br&gt;
All replication prompt, and reason strong,&lt;br&gt;
For his advantage still did wake and sleep:&lt;br&gt;
To make the weeper laugh, the laugher weep,&lt;br&gt;
He had the dialect and different skill,&lt;br&gt;
Catching all passions in his craft of will:&lt;br&gt;
&lt;BR&gt;'That he did in the general bosom reign&lt;br&gt;
Of young, of old; and sexes both enchanted,&lt;br&gt;
To dwell with him in thoughts, or to remain&lt;br&gt;
In personal duty, following where he haunted:&lt;br&gt;
Consents bewitch'd, ere he desire, have granted;&lt;br&gt;
And dialogued for him what he would say,&lt;br&gt;
Ask'd their own wills, and made their wills obey.&lt;br&gt;
&lt;BR&gt;'Many there were that did his picture get,&lt;br&gt;
To serve their eyes, and in it put their mind;&lt;br&gt;
Like fools that in th' imagination set&lt;br&gt;
The goodly objects which abroad they find&lt;br&gt;
Of lands and mansions, theirs in thought assign'd;&lt;br&gt;
And labouring in moe pleasures to bestow them&lt;br&gt;
Than the true gouty landlord which doth owe them:&lt;br&gt;
&lt;BR&gt;'So many have, that never touch'd his hand,&lt;br&gt;
Sweetly supposed them mistress of his heart.&lt;br&gt;
My woeful self, that did in freedom stand,&lt;br&gt;
And was my own fee-simple, not in part,&lt;br&gt;
What with his art in youth, and youth in art,&lt;br&gt;
Threw my affections in his charmed power,&lt;br&gt;
Reserved the stalk and gave him all my flower.&lt;br&gt;
&lt;BR&gt;'Yet did I not, as some my equals did,&lt;br&gt;
Demand of him, nor being desired yielded;&lt;br&gt;
Finding myself in honour so forbid,&lt;br&gt;
With safest distance I mine honour shielded:&lt;br&gt;
Experience for me many bulwarks builded&lt;br&gt;
Of proofs new-bleeding, which remain'd the foil&lt;br&gt;
Of this false jewel, and his amorous spoil.&lt;br&gt;
&lt;BR&gt;'But, ah, who ever shunn'd by precedent&lt;br&gt;
The destined ill she must herself assay?&lt;br&gt;
Or forced examples, 'gainst her own content,&lt;br&gt;
To put the by-past perils in her way?&lt;br&gt;
Counsel may stop awhile what will not stay;&lt;br&gt;
For when we rage, advice is often seen&lt;br&gt;
By blunting us to make our wits more keen.&lt;br&gt;
&lt;BR&gt;'Nor gives it satisfaction to our blood,&lt;br&gt;
That we must curb it upon others' proof;&lt;br&gt;
To be forbod the sweets that seem so good,&lt;br&gt;
For fear of harms that preach in our behoof.&lt;br&gt;
O appetite, from judgment stand aloof!&lt;br&gt;
The one a palate hath that needs will taste,&lt;br&gt;
Though Reason weep, and cry, 'It is thy last.'&lt;br&gt;
&lt;BR&gt;'For further I could say 'This man's untrue,'&lt;br&gt;
And knew the patterns of his foul beguiling;&lt;br&gt;
Heard where his plants in others' orchards grew,&lt;br&gt;
Saw how deceits were gilded in his smiling;&lt;br&gt;
Knew vows were ever brokers to defiling;&lt;br&gt;
Thought characters and words merely but art,&lt;br&gt;
And bastards of his foul adulterate heart.&lt;br&gt;
&lt;BR&gt;'And long upon these terms I held my city,&lt;br&gt;
Till thus he gan besiege me: 'Gentle maid,&lt;br&gt;
Have of my suffering youth some feeling pity,&lt;br&gt;
And be not of my holy vows afraid:&lt;br&gt;
That's to ye sworn to none was ever said;&lt;br&gt;
For feasts of love I have been call'd unto,&lt;br&gt;
Till now did ne'er invite, nor never woo.&lt;br&gt;
&lt;BR&gt;''All my offences that abroad you see&lt;br&gt;
Are errors of the blood, none of the mind;&lt;br&gt;
Love made them not: with acture they may be,&lt;br&gt;
Where neither party is nor true nor kind:&lt;br&gt;
They sought their shame that so their shame did find;&lt;br&gt;
And so much less of shame in me remains,&lt;br&gt;
By how much of me their reproach contains.&lt;br&gt;
&lt;BR&gt;''Among the many that mine eyes have seen,&lt;br&gt;
Not one whose flame my heart so much as warm'd,&lt;br&gt;
Or my affection put to the smallest teen,&lt;br&gt;
Or any of my leisures ever charm'd:&lt;br&gt;
Harm have I done to them, but ne'er was harm'd;&lt;br&gt;
Kept hearts in liveries, but mine own was free,&lt;br&gt;
And reign'd, commanding in his monarchy.&lt;br&gt;
&lt;BR&gt;''Look here, what tributes wounded fancies sent me,&lt;br&gt;
Of paled pearls and rubies red as blood;&lt;br&gt;
Figuring that they their passions likewise lent me&lt;br&gt;
Of grief and blushes, aptly understood&lt;br&gt;
In bloodless white and the encrimson'd mood;&lt;br&gt;
Effects of terror and dear modesty,&lt;br&gt;
Encamp'd in hearts, but fighting outwardly.&lt;br&gt;
&lt;BR&gt;''And, lo, behold these talents of their hair,&lt;br&gt;
With twisted metal amorously impleach'd,&lt;br&gt;
I have received from many a several fair,&lt;br&gt;
Their kind acceptance weepingly beseech'd,&lt;br&gt;
With the annexions of fair gems enrich'd,&lt;br&gt;
And deep-brain'd sonnets that did amplify&lt;br&gt;
Each stone's dear nature, worth, and quality.&lt;br&gt;
&lt;BR&gt;''The diamond,--why, 'twas beautiful and hard,&lt;br&gt;
Whereto his invised properties did tend;&lt;br&gt;
The deep-green emerald, in whose fresh regard&lt;br&gt;
Weak sights their sickly radiance do amend;&lt;br&gt;
The heaven-hued sapphire and the opal blend&lt;br&gt;
With objects manifold: each several stone,&lt;br&gt;
With wit well blazon'd, smiled or made some moan.&lt;br&gt;
&lt;BR&gt;''Lo, all these trophies of affections hot,&lt;br&gt;
Of pensived and subdued desires the tender,&lt;br&gt;
Nature hath charged me that I hoard them not,&lt;br&gt;
But yield them up where I myself must render,&lt;br&gt;
That is, to you, my origin and ender;&lt;br&gt;
For these, of force, must your oblations be,&lt;br&gt;
Since I their altar, you enpatron me.&lt;br&gt;
&lt;BR&gt;''O, then, advance of yours that phraseless hand,&lt;br&gt;
Whose white weighs down the airy scale of praise;&lt;br&gt;
Take all these similes to your own command,&lt;br&gt;
Hallow'd with sighs that burning lungs did raise;&lt;br&gt;
What me your minister, for you obeys,&lt;br&gt;
Works under you; and to your audit comes&lt;br&gt;
Their distract parcels in combined sums.&lt;br&gt;
&lt;BR&gt;''Lo, this device was sent me from a nun,&lt;br&gt;
Or sister sanctified, of holiest note;&lt;br&gt;
Which late her noble suit in court did shun,&lt;br&gt;
Whose rarest havings made the blossoms dote;&lt;br&gt;
For she was sought by spirits of richest coat,&lt;br&gt;
But kept cold distance, and did thence remove,&lt;br&gt;
To spend her living in eternal love.&lt;br&gt;
&lt;BR&gt;''But, O my sweet, what labour is't to leave&lt;br&gt;
The thing we have not, mastering what not strives,&lt;br&gt;
Playing the place which did no form receive,&lt;br&gt;
Playing patient sports in unconstrained gyves?&lt;br&gt;
She that her fame so to herself contrives,&lt;br&gt;
The scars of battle 'scapeth by the flight,&lt;br&gt;
And makes her absence valiant, not her might.&lt;br&gt;
&lt;BR&gt;''O, pardon me, in that my boast is true:&lt;br&gt;
The accident which brought me to her eye&lt;br&gt;
Upon the moment did her force subdue,&lt;br&gt;
And now she would the caged cloister fly:&lt;br&gt;
Religious love put out Religion's eye:&lt;br&gt;
Not to be tempted, would she be immured,&lt;br&gt;
And now, to tempt, all liberty procured.&lt;br&gt;
&lt;BR&gt;''How mighty then you are, O, hear me tell!&lt;br&gt;
The broken bosoms that to me belong&lt;br&gt;
Have emptied all their fountains in my well,&lt;br&gt;
And mine I pour your ocean all among:&lt;br&gt;
I strong o'er them, and you o'er me being strong,&lt;br&gt;
Must for your victory us all congest,&lt;br&gt;
As compound love to physic your cold breast.&lt;br&gt;
&lt;BR&gt;''My parts had power to charm a sacred nun,&lt;br&gt;
Who, disciplined, ay, dieted in grace,&lt;br&gt;
Believed her eyes when they to assail begun,&lt;br&gt;
All vows and consecrations giving place:&lt;br&gt;
O most potential love! vow, bond, nor space,&lt;br&gt;
In thee hath neither sting, knot, nor confine,&lt;br&gt;
For thou art all, and all things else are thine.&lt;br&gt;
&lt;BR&gt;''When thou impressest, what are precepts worth&lt;br&gt;
Of stale example? When thou wilt inflame,&lt;br&gt;
How coldly those impediments stand forth&lt;br&gt;
Of wealth, of filial fear, law, kindred, fame!&lt;br&gt;
Love's arms are peace, 'gainst rule, 'gainst sense,&lt;br&gt;
'gainst shame,&lt;br&gt;
And sweetens, in the suffering pangs it bears,&lt;br&gt;
The aloes of all forces, shocks, and fears.&lt;br&gt;
&lt;BR&gt;''Now all these hearts that do on mine depend,&lt;br&gt;
Feeling it break, with bleeding groans they pine;&lt;br&gt;
And supplicant their sighs to you extend,&lt;br&gt;
To leave the battery that you make 'gainst mine,&lt;br&gt;
Lending soft audience to my sweet design,&lt;br&gt;
And credent soul to that strong-bonded oath&lt;br&gt;
That shall prefer and undertake my troth.'&lt;br&gt;
&lt;BR&gt;'This said, his watery eyes he did dismount,&lt;br&gt;
Whose sights till then were levell'd on my face;&lt;br&gt;
Each cheek a river running from a fount&lt;br&gt;
With brinish current downward flow'd apace:&lt;br&gt;
O, how the channel to the stream gave grace!&lt;br&gt;
Who glazed with crystal gate the glowing roses&lt;br&gt;
That flame through water which their hue encloses.&lt;br&gt;
&lt;BR&gt;'O father, what a hell of witchcraft lies&lt;br&gt;
In the small orb of one particular tear!&lt;br&gt;
But with the inundation of the eyes&lt;br&gt;
What rocky heart to water will not wear?&lt;br&gt;
What breast so cold that is not warmed here?&lt;br&gt;
O cleft effect! cold modesty, hot wrath,&lt;br&gt;
Both fire from hence and chill extincture hath.&lt;br&gt;
&lt;BR&gt;'For, lo, his passion, but an art of craft,&lt;br&gt;
Even there resolved my reason into tears;&lt;br&gt;
There my white stole of chastity I daff'd,&lt;br&gt;
Shook off my sober guards and civil fears;&lt;br&gt;
Appear to him, as he to me appears,&lt;br&gt;
All melting; though our drops this difference bore,&lt;br&gt;
His poison'd me, and mine did him restore.&lt;br&gt;
&lt;BR&gt;'In him a plenitude of subtle matter,&lt;br&gt;
Applied to cautels, all strange forms receives,&lt;br&gt;
Of burning blushes, or of weeping water,&lt;br&gt;
Or swooning paleness; and he takes and leaves,&lt;br&gt;
In either's aptness, as it best deceives,&lt;?xml:namespace prefix = o ns = &quot;urn:schemas-microsoft-com:office:office&quot; /&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/I&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 8pt; FONT-FAMILY: 'Lucida Sans Unicode'; mso-bidi-font-size: 12.0pt&quot;&gt;&lt;FONT color=#0000cc&gt;To blush at speeches rank to weep at woes,&lt;br&gt;
Or to turn white and swoon at tragic shows.&lt;br&gt;
&lt;BR&gt;'That not a heart which in his level came&lt;br&gt;
Could 'scape the hail of his all-hurting aim,&lt;br&gt;
Showing fair nature is both kind and tame;&lt;br&gt;
And, veil'd in them, did win whom he would maim:&lt;br&gt;
Against the thing he sought he would exclaim;&lt;br&gt;
When he most burn'd in heart-wish'd luxury,&lt;br&gt;
He preach'd pure maid, and praised cold chastity.&lt;br&gt;
&lt;BR&gt;'Thus merely with the garment of a Grace&lt;br&gt;
The naked and concealed fiend he cover'd;&lt;br&gt;
That th' unexperient gave the tempter place,&lt;br&gt;
Which like a cherubin above them hover'd.&lt;br&gt;
Who, young and simple, would not be so lover'd?&lt;br&gt;
Ay me! I fell; and yet do question make&lt;br&gt;
What I should do again for such a sake.&lt;br&gt;
&lt;BR&gt;'O, that infected moisture of his eye,&lt;br&gt;
O, that false fire which in his cheek so glow'd,&lt;br&gt;
O, that forced thunder from his heart did fly,&lt;br&gt;
O, that sad breath his spongy lungs bestow'd,&lt;br&gt;
O, all that borrow'd motion seeming owed,&lt;br&gt;
Would yet again betray the fore-betray'd,&lt;br&gt;
And new pervert a reconciled maid!'&lt;o:p&gt;&lt;/o:p&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/I&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0in 0in 0pt&quot; align=left&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 8pt; FONT-FAMILY: 'Lucida Sans Unicode'; mso-bidi-font-size: 12.0pt&quot;&gt;&lt;o:p&gt;&lt;FONT color=#330066&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/o:p&gt;&lt;/SPAN&gt;&lt;/I&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0in 0in 0pt&quot; align=left&gt;&lt;B&gt;&lt;I&gt;&lt;SPAN style=&quot;FONT-SIZE: 8pt; FONT-FAMILY: 'Lucida Sans Unicode'; mso-bidi-font-size: 12.0pt&quot;&gt;&lt;FONT color=#330066&gt;Reference:&lt;o:p&gt;&lt;/o:p&gt;&lt;/FONT&gt;&lt;/SPAN&gt;&lt;/I&gt;&lt;/B&gt;&lt;/P&gt;
&lt;P class=MsoNormal style=&quot;MARGIN: 0in 0in 0pt&quot; align=left&gt;&lt;I&gt;&lt;A href=&quot;http://shakespeare.about.com/library/blloverscomplaint.htm&quot;&gt;&lt;FONT face=&quot;Times New Roman&quot; color=#0000ff size=3&gt;&lt;FONT color=#330066&gt;http://shakespeare.about.com/library/blloverscomplaint.htm&lt;br&gt;
&lt;/P&gt;&lt;/FONT&gt;

&lt;P class=MsoNormal style=&quot;MARGIN: 0in 0in 0pt&quot;&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;br&gt;
&lt;/P&gt;

&lt;P class=MsoNormal style=&quot;MARGIN: 0in 0in 0pt&quot;&gt;&lt;br&gt;
&lt;/P&gt;

&lt;P class=MsoNormal style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;/I&gt;&lt;FONT color=#000099 size=2&gt;&lt;i&gt;&lt;b&gt;&lt;U&gt;THE PASSIONATE PILGRIM&lt;/U&gt;&lt;/b&gt;&lt;/i&gt;&lt;/FONT&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;FONT color=#000099 size=2&gt;&lt;i&gt;I. &lt;br&gt;
WHEN my love swears that she is made of truth, &lt;br&gt;
I do believe her, though I know she lies, &lt;br&gt;
That she might think me some untutor'd youth, &lt;br&gt;
Unskilful in the world's false forgeries. &lt;br&gt;
Thus vainly thinking that she thinks me young, &lt;br&gt;
Although I know my years be past the best, &lt;br&gt;
I smiling credit her false-speaking tongue, &lt;br&gt;
Outfacing faults in love with love's ill rest. &lt;br&gt;
But wherefore says my love that she is young? &lt;br&gt;
And wherefore say not I that I am old? &lt;br&gt;
O, love's best habit is a soothing tongue, &lt;br&gt;
And age, in love, loves not to have years told. &lt;br&gt;
Therefore I'll lie with love, and love with me, &lt;br&gt;
Since that our faults in love thus smother'd be. &lt;br&gt;
&lt;BR&gt;II. &lt;br&gt;
Two loves I have, of comfort and despair, &lt;br&gt;
That like two spirits do suggest me still; &lt;br&gt;
My better angel is a man right fair, &lt;br&gt;
My worser spirit a woman colour'd ill. &lt;br&gt;
To win me soon to hell, my female evil &lt;br&gt;
Tempteth my better angel from my side, &lt;br&gt;
And would corrupt my saint to be a devil, &lt;br&gt;
Wooing his purity with her fair pride. &lt;br&gt;
And whether that my angel be turn'd fiend, &lt;br&gt;
Suspect I may, yet not directly tell: &lt;br&gt;
For being both to me, both to each friend, &lt;br&gt;
I guess one angel in another's hell; &lt;br&gt;
The truth I shall not know, but live in doubt, &lt;br&gt;
Till my bad angel fire my good one out. &lt;br&gt;
&lt;BR&gt;III. &lt;br&gt;
Did not the heavenly rhetoric of thine eye, &lt;br&gt;
'Gainst whom the world could not hold argument, &lt;br&gt;
Persuade my heart to this false perjury? &lt;br&gt;
Vows for thee broke deserve not punishment. &lt;br&gt;
A woman I forswore; but I will prove, &lt;br&gt;
Thou being a goddess, I forswore not thee: &lt;br&gt;
My vow was earthly, thou a heavenly love; &lt;br&gt;
Thy grace being gain'd cures all disgrace in me. &lt;br&gt;
My vow was breath, and breath a vapour is; &lt;br&gt;
Then, thou fair sun, that on this earth doth shine, &lt;br&gt;
Exhale this vapour vow; in thee it is: &lt;br&gt;
If broken, then it is no fault of mine. &lt;br&gt;
If by me broke, what fool is not so wise &lt;br&gt;
To break an oath, to win a paradise? &lt;br&gt;
&lt;BR&gt;IV. &lt;br&gt;
Sweet Cytherea, sitting by a brook &lt;br&gt;
With young Adonis, lovely, fresh, and green, &lt;br&gt;
Did court the lad with many a lovely look, &lt;br&gt;
Such looks as none could look but beauty's queen. &lt;br&gt;
She told him stories to delight his ear; &lt;br&gt;
She showed him favors to allure his eye; &lt;br&gt;
To win his heart, she touch'd him here and there,-- &lt;br&gt;
Touches so soft still conquer chastity. &lt;br&gt;
But whether unripe years did want conceit, &lt;br&gt;
Or he refused to take her figured proffer, &lt;br&gt;
The tender nibbler would not touch the bait, &lt;br&gt;
But smile and jest at every gentle offer: &lt;br&gt;
Then fell she on her back, fair queen, and toward: &lt;br&gt;
He rose and ran away; ah, fool too froward! &lt;br&gt;
&lt;BR&gt;V. &lt;br&gt;
If love make me forsworn, how shall I swear to love? &lt;br&gt;
O never faith could hold, if not to beauty vow'd: &lt;br&gt;
Though to myself forsworn, to thee I'll constant prove; &lt;br&gt;
Those thoughts, to me like oaks, to thee like osiers bow'd. &lt;br&gt;
Study his bias leaves, and makes his book thine eyes, &lt;br&gt;
Where all those pleasures live that art can comprehend. &lt;br&gt;
If knowledge be the mark, to know thee shall suffice; &lt;br&gt;
Well learned is that tongue that well can thee commend; &lt;br&gt;
All ignorant that soul that sees thee without wonder; &lt;br&gt;
Which is to me some praise, that I thy parts admire: &lt;br&gt;
Thine eye Jove's lightning seems, thy voice his dreadful &lt;br&gt;
thunder, &lt;br&gt;
Which, not to anger bent, is music and sweet fire. &lt;br&gt;
Celestial as thou art, O do not love that wrong, &lt;br&gt;
To sing heaven's praise with such an earthly tongue. &lt;br&gt;
&lt;BR&gt;VI. &lt;br&gt;
Scarce had the sun dried up the dewy morn, &lt;br&gt;
And scarce the herd gone to the hedge for shade, &lt;br&gt;
When Cytherea, all in love forlorn, &lt;br&gt;
A longing tarriance for Adonis made &lt;br&gt;
Under an osier growing by a brook, &lt;br&gt;
A brook where Adon used to cool his spleen: &lt;br&gt;
Hot was the day; she hotter that did look &lt;br&gt;
For his approach, that often there had been. &lt;br&gt;
Anon he comes, and throws his mantle by, &lt;br&gt;
And stood stark naked on the brook's green brim: &lt;br&gt;
The sun look'd on the world with glorious eye, &lt;br&gt;
Yet not so wistly as this queen on him. &lt;br&gt;
He, spying her, bounced in, whereas he stood: &lt;br&gt;
'O Jove,' quoth she, 'why was not I a flood!' &lt;br&gt;
&lt;BR&gt;VII. &lt;br&gt;
Fair is my love, but not so fair as fickle; &lt;br&gt;
Mild as a dove, but neither true nor trusty; &lt;br&gt;
Brighter than glass, and yet, as glass is, brittle; &lt;br&gt;
Softer than wax, and yet, as iron, rusty: &lt;br&gt;
A lily pale, with damask dye to grace her, &lt;br&gt;
None fairer, nor none falser to deface her. &lt;br&gt;
&lt;BR&gt;Her lips to mine how often hath she joined, &lt;br&gt;
Between each kiss her oaths of true love swearing! &lt;br&gt;
How many tales to please me hath she coined, &lt;br&gt;
Dreading my love, the loss thereof still fearing! &lt;br&gt;
Yet in the midst of all her pure protestings, &lt;br&gt;
Her faith, her oaths, her tears, and all were jestings. &lt;br&gt;
&lt;BR&gt;She burn'd with love, as straw with fire flameth; &lt;br&gt;
She burn'd out love, as soon as straw outburneth; &lt;br&gt;
She framed the love, and yet she foil'd the framing; &lt;br&gt;
She bade love last, and yet she fell a-turning. &lt;br&gt;
Was this a lover, or a lecher whether? &lt;br&gt;
Bad in the best, though excellent in neither. &lt;br&gt;
&lt;BR&gt;VIII. &lt;br&gt;
If music and sweet poetry agree, &lt;br&gt;
As they must needs, the sister and the brother, &lt;br&gt;
Then must the love be great 'twixt thee and me, &lt;br&gt;
Because thou lovest the one, and I the other. &lt;br&gt;
Dowland to thee is dear, whose heavenly touch &lt;br&gt;
Upon the lute doth ravish human sense; &lt;br&gt;
Spenser to me, whose deep conceit is such &lt;br&gt;
As, passing all conceit, needs no defence. &lt;br&gt;
Thou lovest to hear the sweet melodious sound &lt;br&gt;
That Phoebus' lute, the queen of music, makes; &lt;br&gt;
And I in deep delight am chiefly drown'd &lt;br&gt;
When as himself to singing he betakes. &lt;br&gt;
One god is god of both, as poets feign; &lt;br&gt;
One knight loves both, and both in thee remain. &lt;br&gt;
&lt;BR&gt;IX. &lt;br&gt;
Fair was the morn when the fair queen of love, &lt;br&gt;
Paler for sorrow than her milk-white dove, &lt;br&gt;
For Adon's sake, a youngster proud and wild; &lt;br&gt;
Her stand she takes upon a steep-up hill: &lt;br&gt;
Anon Adonis comes with horn and hounds; &lt;br&gt;
She, silly queen, with more than love's good will, &lt;br&gt;
Forbade the boy he should not pass those grounds: &lt;br&gt;
'Once,' quoth she, 'did I see a fair sweet youth &lt;br&gt;
Here in these brakes deep-wounded with a boar, &lt;br&gt;
Deep in the thigh, a spectacle of ruth! &lt;br&gt;
See, in my thigh,' quoth she, 'here was the sore.' &lt;br&gt;
She showed hers: he saw more wounds than one, &lt;br&gt;
And blushing fled, and left her all alone. &lt;br&gt;
&lt;BR&gt;X. &lt;br&gt;
Sweet rose, fair flower, untimely pluck'd, soon vaded, &lt;br&gt;
Pluck'd in the bud, and vaded in the spring! &lt;br&gt;
Bright orient pearl, alack, too timely shaded! &lt;br&gt;
Fair creature, kill'd too soon by death's sharp sting! &lt;br&gt;
Like a green plum that hangs upon a tree, &lt;br&gt;
And falls, through wind, before the fall should be. &lt;br&gt;
&lt;BR&gt;I weep for thee, and yet no cause I have; &lt;br&gt;
For why thou left'st me nothing in thy will: &lt;br&gt;
And yet thou left'st me more than I did crave; &lt;br&gt;
For why I craved nothing of thee still: &lt;br&gt;
O yes, dear friend, I pardon crave of thee, &lt;br&gt;
Thy discontent thou didst bequeath to me. &lt;br&gt;
&lt;BR&gt;XI. &lt;br&gt;
Venus, with young Adonis sitting by her &lt;br&gt;
Under a myrtle shade, began to woo him: &lt;br&gt;
She told the youngling how god Mars did try her, &lt;br&gt;
And as he fell to her, so fell she to him. &lt;br&gt;
'Even thus,' quoth she, 'the warlike god embraced me,' &lt;br&gt;
And then she clipp'd Adonis in her arms; &lt;br&gt;
'Even thus,' quoth she, 'the warlike god unlaced me,' &lt;br&gt;
As if the boy should use like loving charms; &lt;br&gt;
'Even thus,' quoth she, 'he seized on my lips,' &lt;br&gt;
And with her lips on his did act the seizure: &lt;br&gt;
And as she fetched breath, away he skips, &lt;br&gt;
And would not take her meaning nor her pleasure. &lt;br&gt;
Ah, that I had my lady at this bay, &lt;br&gt;
To kiss and clip me till I run away! &lt;br&gt;
&lt;BR&gt;XII. &lt;br&gt;
Crabbed age and youth cannot live together: &lt;br&gt;
Youth is full of pleasance, age is full of care; &lt;br&gt;
Youth like summer morn, age like winter weather; &lt;br&gt;
Youth like summer brave, age like winter bare. &lt;br&gt;
Youth is full of sport, age's breath is short; &lt;br&gt;
Youth is nimble, age is lame; &lt;br&gt;
Youth is hot and bold, age is weak and cold; &lt;br&gt;
Youth is wild, and age is tame. &lt;br&gt;
Age, I do abhor thee; youth, I do adore thee; &lt;br&gt;
O, my love, my love is young! &lt;br&gt;
Age, I do defy thee: O, sweet shepherd, hie thee, &lt;br&gt;
For methinks thou stay'st too long, &lt;br&gt;
&lt;BR&gt;XIII. &lt;br&gt;
Beauty is but a vain and doubtful good; &lt;br&gt;
A shining gloss that vadeth suddenly; &lt;br&gt;
A flower that dies when first it gins to bud; &lt;br&gt;
A brittle glass that's broken presently: &lt;br&gt;
A doubtful good, a gloss, a glass, a flower, &lt;br&gt;
Lost, vaded, broken, dead within an hour. &lt;br&gt;
&lt;BR&gt;And as goods lost are seld or never found, &lt;br&gt;
As vaded gloss no rubbing will refresh, &lt;br&gt;
As flowers dead lie wither'd on the ground, &lt;br&gt;
As broken glass no cement can redress, &lt;br&gt;
So beauty blemish'd once's for ever lost, &lt;br&gt;
In spite of physic, painting, pain and cost. &lt;br&gt;
&lt;BR&gt;XIV. &lt;br&gt;
Good night, good rest. Ah, neither be my share: &lt;br&gt;
She bade good night that kept my rest away; &lt;br&gt;
And daff'd me to a cabin hang'd with care, &lt;br&gt;
To descant on the doubts of my decay. &lt;br&gt;
'Farewell,' quoth she, 'and come again tomorrow:' &lt;br&gt;
Fare well I could not, for I supp'd with sorrow. &lt;br&gt;
&lt;BR&gt;Yet at my parting sweetly did she smile, &lt;br&gt;
In scorn or friendship, nill I construe whether: &lt;br&gt;
'T may be, she joy'd to jest at my exile, &lt;br&gt;
'T may be, again to make me wander thither: &lt;br&gt;
'Wander,' a word for shadows like myself, &lt;br&gt;
As take the pain, but cannot pluck the pelf. &lt;br&gt;
&lt;BR&gt;XV. &lt;br&gt;
Lord, how mine eyes throw gazes to the east! &lt;br&gt;
My heart doth charge the watch; the morning rise &lt;br&gt;
Doth cite each moving sense from idle rest. &lt;br&gt;
Not daring trust the office of mine eyes, &lt;br&gt;
While Philomela sits and sings, I sit and mark, &lt;br&gt;
And wish her lays were tuned like the lark; &lt;br&gt;
&lt;BR&gt;For she doth welcome daylight with her ditty, &lt;br&gt;
And drives away dark dismal-dreaming night: &lt;br&gt;
The night so pack'd, I post unto my pretty; &lt;br&gt;
Heart hath his hope, and eyes their wished sight; &lt;br&gt;
Sorrow changed to solace, solace mix'd with sorrow; &lt;br&gt;
For why, she sigh'd and bade me come tomorrow. &lt;br&gt;
&lt;BR&gt;Were I with her, the night would post too soon; &lt;br&gt;
But now are minutes added to the hours; &lt;br&gt;
To spite me now, each minute seems a moon; &lt;br&gt;
Yet not for me, shine sun to succor flowers! &lt;br&gt;
Pack night, peep day; good day, of night now borrow: &lt;br&gt;
Short, night, to-night, and length thyself tomorrow. &lt;/i&gt;&lt;/FONT&gt;&lt;/P&gt;&lt;FONT color=#000099 size=2&gt;&lt;i&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=left&gt;&lt;br&gt;
&lt;/P&gt;
&lt;DIV align=left&gt;&lt;/DIV&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=left&gt;&lt;FONT color=#990000&gt;Reference:&lt;/FONT&gt;&lt;/i&gt;&lt;/FONT&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=left&gt;&lt;A href=&quot;http://shakespeare.about.com/library/blpilgrim.htm&quot;&gt;&lt;FONT color=#990000 size=2&gt;&lt;i&gt;http://shakespeare.about.com/library/blpilgrim.htm&lt;/i&gt;&lt;/FONT&gt;&lt;/A&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=left&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#990000 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;
&lt;P class=MsoBodyText style=&quot;MARGIN: 0in 0in 0pt&quot; align=center&gt;&lt;o:p&gt;&lt;i&gt;&lt;FONT color=#000099 size=2&gt;&amp;nbsp;&lt;/FONT&gt;&lt;/i&gt;&lt;/o:p&gt;&lt;/P&gt;&lt;/FONT&gt;&lt;!-- begin(Yahoo ad) --&gt;&lt;a href=&quot;http://ypn-rss.overture.com/rss/35557/83147/click/&quot;&gt;&lt;img src=&quot;http://ypn-rss.overture.com/rss/35557/83147/img/?url=http%3A%2F%2Fsolipoem.blogdrive.com%2Farchive%2F27.html&amp;amp;pid=1846251505&quot; alt=&quot;Ads by Yahoo!&quot; border=&quot;0&quot;/&gt;&lt;/a&gt;&lt;!-- end(Yahoo ad) --&gt;</description>
      <comments>http://solipoem.blogdrive.com/comments?id=27</comments>
    </item>
  </channel>
</rss>
